Yamaha MG32/14 FX

MIXING CONSOLE
MG32/14FX

Sound System Review
         Sound systems in large facilities need more power to accommodate mass gatherings for programs. Public address system is always a factor in the success of the program and needs professional touch. Not only that it cost much, but needs technicians to operate them. Some small scale P.A. systems are simple and are user friendly. But Professional P.A. systems are complicated and needs professional assessment.


Yamaha Mixing Console  MG32/14FX

High Input Capacity for Live Sound

The MG24/14FX has 16 mono inputs and 4 stereo inputs, while the MG32/14FX has 24 mono inputs and 4 stereo inputs. Input gain controls and pad switches allow optimum matching with the widest possible range of sources: microphone levels can be adjusted from -60 dB to +10 dB, while line levels can be adjusted from -34 dB to +10 dB. Channel peak indicators are provided to facilitate optimum level matching.
  

Top-quality Microphone Preamps

Microphone preamplifiers play a vital role in determining the final sound of your mixes. The MG-series mixers feature low-noise, high-performance microphone preamplifiers that will bring out the best in dynamic and condenser type microphones. Microphone preamplifiers are provided on channels 1 through 24 of the MG32/14FX.

Mid-sweep 3-band Mono Channel EQ, 4-band Stereo Channel EQ

The mono channels on MG32/14FX offer advanced EQ facilities: 3-band EQ with a 10 kHz shelving HIGH control, a 250 Hz ~ 5 kHz sweepable MID control, and a 100 Hz shelving LOW control. The microphone inputs also have switchable 80 Hz high-pass filters for low-frequency noise reduction. The stereo channels feature 4-band EQ with 10 kHz HIGH, 3 kHz HI MID, 800 Hz LO MID, and 100 HZ LOW controls.

High-performance Digital Effect Processors Built In

MG32/14FX contain a powerful pair of Yamaha digital signal processors that provide a useful selection of 16 advanced digital effects. Effect programs include reverb, delay, pitch change chorus, phaser, voice doubler, and distortion. The effects include editable parameters so they can be customized as required, and processor "B" even has a TAP switch for real-time tap-tempo entry. With these top-performance effect processors built in, you wont have to transport and set up racks of external effects to create your sound.

Ample Sends and Returns

All input channels have a total of six auxiliary sends: AUX send 1 through 4 can be switched for pre- or post-fader operation, while AUX sends 5 and 6 are post-fader. Two EFFECT sends are provided in addition to the six AUX sends. That's more than sufficient send capability to handle monitoring and effects for all but the most complex applications. Two stereo AUX returns are provided in addition to the internal effect returns, providing an extra margin of return versatility for wet monitoring, for example.